BERIT STRONG               Classical Guitarist

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REVIEWS

Berit Strong was a colorful and commanding interpreter.”

 Richard Dyer, The Boston Globe 

“She brought to the performance a level of personal emotional commitment that made the ebb and flow of musical tension very effective. Miss Strong displayed an intense and original musical personality with an outgoing and communicative stage presence.” 

Soundboard Magazine 

“The combination of Ms. Strong’s artistry on the guitar and Rodrigo’s(Aranjuez Concierto) composition was irresistible. The performance was a pleasure to watch and to hear, her playing sure and melodious…masterful…the performance of chords and individual notes, entrances and releases was done with artistry and grace.” 

C. David Gordon,   Minuteman Publications 

She is able to pull a wide variety of distinct colors from the guitar and has developed her technique to a remarkable level of effortlessness.”

 Greg Horne, The Wooster Voice

Guitarist highlights fine Indian Hill Symphony

GROTON – Guitarist Berit Strong performing Joaquin Rodrigo’s Concierto de Aranjuez for Guitar and Orchestra was quite definitely the high point of the Indian Hill Symphony Orchestra concert Jan. 30 played before a full house at Groton-Dunstable Performing Arts Center.

The combination of Ms. Strong’s artistry on the guitar and Rodrigo’s composition was irresistible. The performance was a pleasure to watch and to hear, her playing sure and melodious, indeed creating that “ringing” quality of guitar tones that IHSO Conductor Bruce Hangen spoke of in his introductory talk prior to the concert. The performance of chords and individual notes, entrances and releases was done with artistry and grace. And the high point of the concerto’s performance was that beautiful middle movement – the one which easily makes this the most popular guitar concerto of all, as Hangen noted. Here was a perfect blend of solo and orchestra with the melodic line first sounded by the horn, then taken up by the guitar – after the guitar plays what could be termed a rhythmic foreground.

The opening movement involved the guitar in a sort of conversation with several individual instruments in the orchestra. Ms. Strong played masterfully the demanding third movement, bringing out distinctly the range of notes.

By C. David Gordon, Minuteman Publication

Imaginative, bountiful ‘Guitar Feast’

Last night’s “Guitar Feast” in Jordan Hall must be the most elaborate guitar event ever staged in Boston, unless there’s been a guitar convention here. It was also a musical occasion on a level of interest and artistry competitive with some of the best mainstream concerts of the season.

None of the pieces on the all-American new-music program was dull, and at least four of them were outstanding...

Joan Tower’s “Clocks” is strongly imagined, vigorously composed. The piece is full of interacting circular mechanisms, ticking as they whirl; it also seemed an allegory about life regulated but not dominated by time. Berit Strong was a colorful and commanding interpreter.

Richard Dyer, The Boston Globe

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